British film director Mike Newell (Four Weddings and a Funeral) explains his passion for Jean Renoir’s 1937 masterpiece La Grande Illusion, being re-released to coincide with its 75th anniversary. http://www.telegraph.co.uk/culture/film/filmmakersonfilm/9189202/Why-I-Love…-Renoirs-La-Grande-Illusion.html
This prison drama set in The First World War centres on three French captives – a working-class man (Jean Gabin), a middle-class Jew (Marcel Dallo) and an aristocrat (Pierre Fresnay) – sharing a cell under the supervision of a German commandant (Erich von Stroheim).
I vividly remember seeing it for the first time. It was in 1958, and I was 16. I went with my father to the Academy cinema in Oxford Street. It was a perfect film for me. I was full of Lefty humanism at the time, which is pretty much where I’ve stayed. The French aristocrat and the German commandant come from the same privileged background, and have an instinctive empathy that surpasses nationalist hatreds. I remember being electrified by the notion of wartime enemies reaching across divisions.
The film’s themes are obvious. It’s the end of class, the aristocrats are gone. The working man and the outcast – they’re the ones who are now going to be in the ascendant. If Renoir has had any influence on me, it’s been indirect. Like most ordinary directors I’ve been all over the map, in a way that Renoir was not. But I did see in him that there was a standard to which you could aspire – a truth about what you put on screen and the way you saw characters.
The wonderful thing about La Grande Illusion is that all its characters feel true and complete. No character is denied a rounded portrayal. It truly is a classic